My design process is to paste each chapter from Scrivener in at a time, and check the H1, H2, and H3 headings, and the bullet lists and call-our boxes are all adhere to the Style Guide. It’s less overwhelming to do this at the chapter level, as it makes you focus on a small chunk of content at a time. Missing Characters and Font VariantĪs my travel guide is about Turkey, there are some different characters I needed to use in order to spell destinations correctly. I’d chosen the Montserrat Light variation to use for my primary body text, and about 30 pages into pasting external content into the iStudio template, I noticed my Turkish G wasn’t recognized, and in it’s place was just a blank space. The other challenge is that there’s no italic variant, and although that wasn’t a deal-breaker, the missing G was. I experimented with using the Ultra Light and the Medium variations of the Montserrat font which did have the Turkish G available, but I’d become committed to having a lighter body text, and pairing that with Black, Bold, and Regular variations of the font for the H1-H3 heading. So I had to go in search of a replacement font. I looked through the available fonts in the iStudio set of available fonts, and after a few experiments, I settled on Avineer. This font family takes inspiration from the geometric style of sans-serif typeface developed in the 1920s that took the circle as a basis, such as Erbar and Futura. The city of Amsterdam uses Avenir as the principal typeface in its corporate identity. #How to crop in istudio publisher download.
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